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Selasa, Januari 17, 2017

The Man From U.n.c.l.e. Ver Online Cine Espanol

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Henry Cavill ("Man of Steel") stars as Napoleon Solo opposite Armie Hammer ("The Social Network") as Illya Kuryakin in director Guy Ritchie's "The Man from U.N.C.L.E.," a fresh take on the hugely popular 1960s television series. Set against the backdrop of the early 1960s, at the height of the Cold War, "The Man from U.N.C.L.E." centers on CIA agent Solo and KGB agent Kuryakin. Forced to put aside longstanding hostilities, the two team up on a joint mission to stop a mysterious international criminal organization, which is bent on destabilizing the fragile balance of power through the proliferation of nuclear weapons and technology. The duo's only lead is the daughter of a vanished German scientist, who is the key to infiltrating the criminal organization, and they must race against time to find him and prevent a worldwide catastrophe. "The Man from U.N.C.L.E" also stars Alicia Vikander ("Anna Karenina"), Elizabeth Debicki ("The Great Gatsby"), with Jared Harris ("Sherlock Holmes: Game of Shadows"), and Hugh Grant as Waverly. The screenplay was written by Guy Ritchie & Lionel Wigram, who previously collaborated on re-imagining the classic detective Sherlock Holmes in two hit films. The story is by Jeff Kleeman & David Campbell Wilson and Guy Ritchie & Lionel Wigram, based on the television series "The Man from U.N.C.L.E." John Davis ("Chronicle"), Steve Clark-Hall ("RocknRolla," the "Sherlock Holmes" films), Wigram and Ritchie produced the film, with David Dobkin serving as executive producer. Ritchie's behind-the-scenes creative team included two-time Oscar (R)-nominated director of photography John Mathieson ("The Phantom of the Opera," "Gladiator"), production designer Oliver Scholl ("Jumper," "Edge of Tomorrow"), editor James Herbert (the "Sherlock Holmes" films, "Edge of Tomorrow"), and Oscar (R)-nominated costume designer Joanna Johnston ("Lincoln"). The music is composed by Daniel Pemberton ("The Counselor").(c) Warner Bros

About The Man From U.n.c.l.e.

Artist : Henry Cavill, Armie Hammer, Alicia Vikander, Elizabeth Debicki, Luca Calvani
As : Solo, Illya, Gaby, Victoria, Alexander
Title : The Man From U.n.c.l.e. Ver Online Cine Espanol
Release date : 2015-08-14
Movie Code : 1638355
Duration : 116
Category : Action, Adventure, Comedy

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Name : Stephen Whitty / Alias : Newark Star-Ledger
Holding out for a fun summer film? Resist no longer. Just say "U.N.C.L.E."

Name : Michael Granberry / Alias : Dallas Morning News
It's got all the ingredients - improbable romances, partial nudity, ridiculous escapes - that make it little more than big-sound and big-picture fodder for the Imax screens it will appear on throughout the country.

Name : Joe Neumaier / Alias : New York Daily News
It's slow, lethargic, utterly lacking in charm and undeserving of the Cold War setting that is its best trait.

Name : Alonso Duralde / Alias : TheWrap
With brisk pacing, and a cast this attractive parading the kinds of fashions that will remind you how much you miss Mad Men, most of the movie boasts a Mod crispness.

Name : Peter Debruge / Alias : Variety
An unusually restrained Guy Ritchie serves up solid entertainment with a classy touch, but bland leads and no-sizzle chemistry make this slick '60s TV adaptation forgettable.

Name : Peter Travers / Alias : Rolling Stone
a moldy 1960s TV series that comes to the screen with no Mission: Impossible update or makeover. That's right - it's still moldy. But in a way that's escapist, retro fun.

Name : Jesse Hassenger / Alias : AV Club
The Man From U.N.C.L.E. feels fun even when it lacks a particular reason for existing.

Name : Dave Calhoun / Alias : Time Out
U.N.C.L.E. has enough style and smarts to make it an amusingly louche summer movie: a cultivated mix of action and wit, suits and cities.

Name : Lindsey Bahr / Alias : Associated Press
Alas, the movie doesn't fulfil the tease of the opening sequence. From there it devolves into a series of revelations with diminishing returns.

Name : David Edelstein / Alias : New York Magazine/Vulture
It's breezy and elegant - so breezily elegant it can make you laugh out loud from frame to frame.

Name : Brian Truitt / Alias : USA Today
The Cold War returns full force on the big screen, though by the end of The Man from U.N.C.L.E., you might want to put it back in the fridge.

Name : Adam Graham / Alias : Detroit News
While it looks good - Ritchie has always been a slick visual stylist - it's ultimately as passive as an old rerun.

Name : Manohla Dargis / Alias : New York Times
Guy Ritchie makes the kind of enjoyably disreputable movies that are fun to watch until they're not.

Name : Chris Nashawaty / Alias : Entertainment Weekly
Long on style but short on substance, Guy Ritchie's ring-a-ding-ding Cold War spy thriller attempts to resurrect a mothballed '60s TV series the way that Mission: Impossible did. It doesn't work this time.

Name : J. R. Jones / Alias : Chicago Reader
Whose idea was it to make a cold war thriller for a generation that doesn't know what the cold war was?

Name : Mark Olsen / Alias : Los Angeles Times
It all winds up feeling hollow and even slightly oppressive, an enforced sense of fun jabbed within quotation marks. It aims for a silky lightness of touch but lands like a dropped slab of concrete.

Name : Steven Rea / Alias : Philadelphia Inquirer
A lot of energy and effort has gone into this endeavor, and I can't say some of it's not fun. But more of it, alas, is just tedious.

Name : Anthony Lane / Alias : New Yorker
As for Cavill, let us just say that the line between phlegmatic suavity and downright dullness is rather more easily breached than the Berlin Wall.

Name : Mick LaSalle / Alias : San Francisco Chronicle
Ritchie is a director with no instinct for the audience, and he can't hold things together for an entire film. He seems at a loss, from moment to moment, as to what he should emphasize.

Name : Michael O'Sullivan / Alias : Washington Post
The threat that this mess of a movie might be followed by a sequel is enough to make anyone cry uncle.

Name : James Berardinelli / Alias : ReelViews
This is one of those rare instances when a sequel wouldn't just be warranted - it would be welcomed.

Name : Chris Klimek / Alias : NPR
What substance it has could be dissolved in a shot glass. But so what?

Name : Peter Howell / Alias : Toronto Star
This is like an Austin Powers movie directed by Wes Anderson, although Ritchie's personal style is very much in evidence.

Name : Richard Roeper / Alias : Chicago Sun-Times
The Man from U.N.C.L.E. plays like a lower key, vintage edition of a Mission: Impossible movie. It's a good movie with a great look.

Name : Soren Anderson / Alias : Seattle Times
The picture is quite clever and light on its feet.

Name : Todd McCarthy / Alias : Hollywood Reporter
It's not bad but not quite good enough either.

Name : Michael Phillips / Alias : Chicago Tribune
Composer Daniel Pemberton's evocations of early '60s "danger" music respect the period, which is more than can be said for Ritchie's hatchet-style of staging and editing.

Name : Nathalie Atkinson / Alias : Globe and Mail
Mesmerizing and clever, but more style than substance.

Name : Stephanie Zacharek / Alias : Village Voice
Though it's made with lots of modern tricks and technology, it's old-fashioned in the best sense, and not just because it's set in the Sixties.

Name : Calvin Wilson / Alias : St. Louis Post-Dispatch
This is a movie whose charm sneaks up on you, like a spy in the night.

Name : Rafer Guzman / Alias : Newsday
Not an update of the old TV show but a revival, with dazzling sets, period outfits and wonderfully implausible action. It's an Atomic Age blast.

Name : Wesley Morris / Alias : Grantland
Exactly no one was asking for this. So it's a surprise to discover that the bar for this movie is low enough to conga under.

Name : Bill Goodykoontz / Alias : Arizona Republic
It almost works. Actually, it does work, hitting the requisite number of hip notes. It just doesn't dazzle, and that's kind of a surprise.

Name : Kyle Smith / Alias : New York Post
Cavill's Solo, and the movie, are aggressively quippy, which is what happens when screenwriters set out to be funny but give up when they're halfway there.

Name : Ty Burr / Alias : Boston Globe
"Man" is a celebration of a time when secret agents dressed impeccably, bantered with style, and had exceptionally cool toys. That the movie is almost instantly forgettable is part of the pleasure.

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Senin, Januari 09, 2017

The Nice Guys Cine

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Shane Black (Iron Man 3) directs this police drama set in Los Angeles during the 1970s, and centering on a pair of detectives who stumble into a sprawling conspiracy while investigating the alleged suicide of a once-prominent female porn star. Russell Crowe and Ryan Gosling top-line this Warner Bros. release that reunites Lethal Weapon scribe Black with that film's producer, Joel Silver. ~ Jason Buchanan, Rovi

About The Nice Guys

Artist : Russell Crowe, Ryan Gosling, Keith David, Matt Bomer, Kim Basinger
As : Jackson Healy, Holland March, , ,
Title : The Nice Guys Cine
Release date : 2016-05-20
Movie Code : 3799694
Duration : 98
Category : Crime, Mystery, Thriller

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Name : Josh Levin / Alias : Slate
There's just a bit too much formula and not quite enough insane-asylum lunacy.

Name : James Rocchi / Alias : MSN Movies
Highbrow, lowbrow and no-brow, inspired by improvisation yet connected to the structure of a plot and the traditions of a genre, "The Other Guys" is that rare modern comedy as smart as it is crazy, and as skillful as it is silly.

Name : Connie Ogle / Alias : Miami Herald
The Other Guys is the sort of movie that generates some of its best jokes quietly in the background or as quick-hit throwaway lines, while other terrific gags are defiantly over the top.

Name : Joe Morgenstern / Alias : Wall Street Journal
A summer movie that honors summer-movie conventions with a vengeance.

Name : Tom Horgen / Alias : Minneapolis Star Tribune
Do we really need another buddy-cop comedy? While stupefying, the answer is, surprisingly, "yes."

Name : Amy Nicholson / Alias : Boxoffice Magazine
As good and fleeting as a street corner popsicle

Name : James Berardinelli / Alias : ReelViews
For the most part, the jokes have punch lines, which is too rarely the case in big-budget comedies.

Name : Joshua Katzman / Alias : Chicago Reader
This is the fourth feature that Will Ferrell and writer-director Adam McKay have collaborated on, and once again they deliver laugh-out-loud if ultimately disposable comedy with mixed messages about arrested male development.

Name : Stephen Whitty / Alias : Newark Star-Ledger
Measured against this year's other police farce - remember Cop Out? - it looks absolutely heroic.

Name : Richard Roeper / Alias : Richard Roeper.com
Note to Kevin Smith: THIS is how you do a spoof of the buddy-cop genre.

Name : Peter Howell / Alias : Toronto Star
Dead horse, meet floggers.

Name : Elizabeth Weitzman / Alias : New York Daily News
There are as many hits as there are misses, thanks to the dedication of both leads.

Name : Randy Cordova / Alias : Arizona Republic
It's sneaky and smartly funny, offering an almost perfect balance of action and comedy.

Name : Wesley Morris / Alias : Boston Globe
What seems like another desperate adventure in stunt casting turns out to be a combustible comic bounty.

Name : Richard Corliss / Alias : TIME Magazine
Like some silly summer song that can't be shaken from the mind, this is a catchy enterprise, no better than it tries to be and no less funny.

Name : Michael O'Sullivan / Alias : Washington Post
The Other Guys takes stuff that, as a rule, isn't particularly funny, and tries to make you laugh. More often than not, it succeeds.

Name : Owen Gleiberman / Alias : Entertainment Weekly
It's a comedy of manhood for the age of emasculation.

Name : Todd McCarthy / Alias : Hollywood Reporter
That the film mostly falls flat has far more to do with the largely unconvincing material rather than with the co-stars, who are more than game .

Name : Kyle Anderson / Alias : Entertainment Weekly
The Perfect Guy escalates quite nicely, leading to a satisfyingly white-knuckled finale.

Name : Neil Genzlinger / Alias : New York Times
Next to child-in-jeopardy thrillers, women-in-jeopardy thrillers are about as easy to construct as films get, and this one makes no effort to break any molds. Too bad.

Name : Andrew O'Hehir / Alias : Salon.com
This is a startling late-summer surprise that's hysterically funny when it's not falling on its face.

Name : Jesse Hassenger / Alias : AV Club
Scene after scene exists only to deliver facts for later: Carter's family background; the location of Leah's spare housekey; the presence of a mildly nosy neighbor and a clumsily introduced pet cat.

Name : Roger Moore / Alias : Orlando Sentinel
The Other Guys is a Ponzi scheme of a comedy, a buddy action picture cluttered with funny characters and hilarious moments.

Name : Peter Travers / Alias : Rolling Stone
Don't let anyone spoil the wildly hilarious surprises. Ferrell and Wahlberg will double your fun. Guaranteed.

Name : Joe Dziemianowicz / Alias : New York Daily News
It's overlong by about 15 minutes and goes in too many directions at once. But thanks to a groovy period vibe and the A-list stars, you're along for the ride.

Name : Tom Huddleston / Alias : Time Out
There's a wealth of joyously berserk idiot humour, fusing slapstick and satire, surrealism and stream-of-consciousness improv into what could well prove the funniest movie of the year.

Name : Tomris Laffly / Alias : Time Out
The Nice Guys is the perfect, incredibly crafted yet laid-back procedural we've been starved for.

Name : Michael Rechtshaffen / Alias : Los Angeles Times
A glossy, cliche-laden revenge thriller about the perils of meeting Mr. Too Good To Be True.

Name : Eddie Goldberger / Alias : New York Daily News
It's a lazy, by-the-numbers bore. It almost jumps through hoops to not be different in any way. In fact, you could sleep through the movie and still recite what happened.

Name : James Rocchi / Alias : TheWrap
"The Perfect Guy" - which was, it must be pointed out, deliberately not screened for critics prior to release - is a perfect example of how lame, lazy material strands good actors, resulting in a movie that looks great and feels less so.

Name : Nick Pinkerton / Alias : Village Voice
Somebody didn't pack enough comedy for this long trip - the punchlines in the movie's second half are often callbacks to jokes you may not fondly remember from the first, until every gag is united with its mate.

Name : Peter Travers / Alias : Rolling Stone
Russell Crowe and Ryan Gosling are clearly enjoying the hell out of each other in this crime caper set in 1977 Los Angeles. So how can you resist?

Name : Michael Phillips / Alias : Chicago Tribune
As with the war-film goof Tropic Thunder, you wonder if a smaller, scruffier-looking version of the same movie would have yielded bigger comic payoffs.

Name : Alan Scherstuhl / Alias : Village Voice
The Nice Guys, ultimately, might be a little too nice, but Black and his cast really want you to have a ball.

Name : Nick Schager / Alias : Variety
David M. Rosenthal's Internet-age thriller falls head over heels for cheesy cliches.

Name : Michael Rechtshaffen / Alias : Hollywood Reporter
Just when it seemed like the once-robust buddy-cop action-comedy was going to require a do-not-resuscitate order, along comes Will Ferrell and Adam McKay to show 'em how it's done.

Name : Steven Rea / Alias : Philadelphia Inquirer
The Other Guys boasts perhaps three legitimately funny sequences in all its belabored 107 minutes.

Name : Lisa Kennedy / Alias : Denver Post
At times, there's an "everything but the kitchen sink" quality to the joke grab. But it works.

Name : Chris Nashawaty / Alias : Entertainment Weekly
Basically, it's Inherent Vice without the highbrow aspirations, or The Big Lebowski with two Dudes.

Name : Bilge Ebiri / Alias : New York Magazine/Vulture
Nobody goes to these Fatal Attraction retreads anymore for serious drama. But this one is a movie torn - too grim and self-important to go truly nuts, but too silly and slipshod to work on a more somber level.

Name : Alonso Duralde / Alias : TheWrap
Gosling and Crowe's breezy give-and-take goes a long way in elevating "The Nice Guys" above the moments where cynicism overwhelms the comedy.

Name : Scott Tobias / Alias : AV Club
Gloms together enough clever riffs and random funny business to overcome the inevitable lumpiness and dead ends.

Name : Christy Lemire / Alias : RogerEbert.com
Decent trash that could have been delicious trash with a little more daring.

Name : Kyle Smith / Alias : New York Post
Forgets it's a comedy and starts burrowing into a convoluted but uninteresting financial scandal involving an evil capitalist played by Steve Coogan.

Name : Claudia Puig / Alias : USA Today
What would have been very funny for 15 minutes, and pretty funny for 45, doesn't maintain the standard over the course of a feature-length film.

Name : Brian Truitt / Alias : USA Today
The movie is a throwback in many ways but also proves a dynamic duo can still be just as effective in modern cinema as a superhero ensemble cast. For The Nice Guys, it takes two to make it outta sight.

Name : Peter Debruge / Alias : Variety
The laughs ultimately take a backseat to a convoluted white-collar crime story.

Name : Chris Vognar / Alias : Dallas Morning News
They may not be Jack Lemmon and Billy Wilder , but Will Ferrell and Adam McKay have a pretty good thing going.

Name : Amy Biancolli / Alias : Houston Chronicle
Through it all, Ferrell is as Ferrell does. He's a non sequitur with frizz.

Name : Betsy Sharkey / Alias : Los Angeles Times
The plot doesn't always hold water and it has a tendency to ramble, but they don't seem to care. And honestly, neither should you.

Name : Tom Long / Alias : Detroit News
In terms of flat-out nonstop laughter, it's the best comedy of the summer.

Name : Liam Lacey / Alias : Globe and Mail
Deteriorates into something resembling Rush Hour 3.

Name : Amy Nicholson / Alias : MTV
Crowe and Gosling are a perfect mismatch. They skulk around Los Angeles like a bear and a weasel who just escaped from the circus.

Name : Wesley Morris / Alias : Grantland
I love Sanaa Lathan, except when she has to play dumb. And, boy, does The Perfect Guy need her to be dumb.

Name : A.O. Scott / Alias : New York Times
The Other Guys is most authentically itself when it indulges in a free-form but nonetheless highly disciplined silliness that has the effect of dissolving, rather than piquing, whatever worldly anger or frustration you may be harboring.

Name : Ben Sachs / Alias : Chicago Reader
A reasonably engaging thriller with some topical overtones.

Name : David Fear / Alias : Time Out
Gives Wahlberg and Ferrell beautiful opportunities to turn their anger-mismanagement-meets-milquetoast act into an absurdist version of Abbott and Costello.

Name : Owen Gleiberman / Alias : Variety
The sort of cheerfully hostile buddy bash that's been a staple since the '80s, only this one is singularly clever about its own triviality, and it offers the scruffy pleasure of seeing two great actors dial down their gravitas with style.

Name : Christy Lemire / Alias : Associated Press
You should really meet and get to know these guys for yourself.

Name : Frank Scheck / Alias : Hollywood Reporter
You've seen it a thousand times before.

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