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Selasa, Januari 17, 2017

The Man From U.n.c.l.e. Ver Online Cine Espanol

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Henry Cavill ("Man of Steel") stars as Napoleon Solo opposite Armie Hammer ("The Social Network") as Illya Kuryakin in director Guy Ritchie's "The Man from U.N.C.L.E.," a fresh take on the hugely popular 1960s television series. Set against the backdrop of the early 1960s, at the height of the Cold War, "The Man from U.N.C.L.E." centers on CIA agent Solo and KGB agent Kuryakin. Forced to put aside longstanding hostilities, the two team up on a joint mission to stop a mysterious international criminal organization, which is bent on destabilizing the fragile balance of power through the proliferation of nuclear weapons and technology. The duo's only lead is the daughter of a vanished German scientist, who is the key to infiltrating the criminal organization, and they must race against time to find him and prevent a worldwide catastrophe. "The Man from U.N.C.L.E" also stars Alicia Vikander ("Anna Karenina"), Elizabeth Debicki ("The Great Gatsby"), with Jared Harris ("Sherlock Holmes: Game of Shadows"), and Hugh Grant as Waverly. The screenplay was written by Guy Ritchie & Lionel Wigram, who previously collaborated on re-imagining the classic detective Sherlock Holmes in two hit films. The story is by Jeff Kleeman & David Campbell Wilson and Guy Ritchie & Lionel Wigram, based on the television series "The Man from U.N.C.L.E." John Davis ("Chronicle"), Steve Clark-Hall ("RocknRolla," the "Sherlock Holmes" films), Wigram and Ritchie produced the film, with David Dobkin serving as executive producer. Ritchie's behind-the-scenes creative team included two-time Oscar (R)-nominated director of photography John Mathieson ("The Phantom of the Opera," "Gladiator"), production designer Oliver Scholl ("Jumper," "Edge of Tomorrow"), editor James Herbert (the "Sherlock Holmes" films, "Edge of Tomorrow"), and Oscar (R)-nominated costume designer Joanna Johnston ("Lincoln"). The music is composed by Daniel Pemberton ("The Counselor").(c) Warner Bros

About The Man From U.n.c.l.e.

Artist : Henry Cavill, Armie Hammer, Alicia Vikander, Elizabeth Debicki, Luca Calvani
As : Solo, Illya, Gaby, Victoria, Alexander
Title : The Man From U.n.c.l.e. Ver Online Cine Espanol
Release date : 2015-08-14
Movie Code : 1638355
Duration : 116
Category : Action, Adventure, Comedy

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Name : Stephen Whitty / Alias : Newark Star-Ledger
Holding out for a fun summer film? Resist no longer. Just say "U.N.C.L.E."

Name : Michael Granberry / Alias : Dallas Morning News
It's got all the ingredients - improbable romances, partial nudity, ridiculous escapes - that make it little more than big-sound and big-picture fodder for the Imax screens it will appear on throughout the country.

Name : Joe Neumaier / Alias : New York Daily News
It's slow, lethargic, utterly lacking in charm and undeserving of the Cold War setting that is its best trait.

Name : Alonso Duralde / Alias : TheWrap
With brisk pacing, and a cast this attractive parading the kinds of fashions that will remind you how much you miss Mad Men, most of the movie boasts a Mod crispness.

Name : Peter Debruge / Alias : Variety
An unusually restrained Guy Ritchie serves up solid entertainment with a classy touch, but bland leads and no-sizzle chemistry make this slick '60s TV adaptation forgettable.

Name : Peter Travers / Alias : Rolling Stone
a moldy 1960s TV series that comes to the screen with no Mission: Impossible update or makeover. That's right - it's still moldy. But in a way that's escapist, retro fun.

Name : Jesse Hassenger / Alias : AV Club
The Man From U.N.C.L.E. feels fun even when it lacks a particular reason for existing.

Name : Dave Calhoun / Alias : Time Out
U.N.C.L.E. has enough style and smarts to make it an amusingly louche summer movie: a cultivated mix of action and wit, suits and cities.

Name : Lindsey Bahr / Alias : Associated Press
Alas, the movie doesn't fulfil the tease of the opening sequence. From there it devolves into a series of revelations with diminishing returns.

Name : David Edelstein / Alias : New York Magazine/Vulture
It's breezy and elegant - so breezily elegant it can make you laugh out loud from frame to frame.

Name : Brian Truitt / Alias : USA Today
The Cold War returns full force on the big screen, though by the end of The Man from U.N.C.L.E., you might want to put it back in the fridge.

Name : Adam Graham / Alias : Detroit News
While it looks good - Ritchie has always been a slick visual stylist - it's ultimately as passive as an old rerun.

Name : Manohla Dargis / Alias : New York Times
Guy Ritchie makes the kind of enjoyably disreputable movies that are fun to watch until they're not.

Name : Chris Nashawaty / Alias : Entertainment Weekly
Long on style but short on substance, Guy Ritchie's ring-a-ding-ding Cold War spy thriller attempts to resurrect a mothballed '60s TV series the way that Mission: Impossible did. It doesn't work this time.

Name : J. R. Jones / Alias : Chicago Reader
Whose idea was it to make a cold war thriller for a generation that doesn't know what the cold war was?

Name : Mark Olsen / Alias : Los Angeles Times
It all winds up feeling hollow and even slightly oppressive, an enforced sense of fun jabbed within quotation marks. It aims for a silky lightness of touch but lands like a dropped slab of concrete.

Name : Steven Rea / Alias : Philadelphia Inquirer
A lot of energy and effort has gone into this endeavor, and I can't say some of it's not fun. But more of it, alas, is just tedious.

Name : Anthony Lane / Alias : New Yorker
As for Cavill, let us just say that the line between phlegmatic suavity and downright dullness is rather more easily breached than the Berlin Wall.

Name : Mick LaSalle / Alias : San Francisco Chronicle
Ritchie is a director with no instinct for the audience, and he can't hold things together for an entire film. He seems at a loss, from moment to moment, as to what he should emphasize.

Name : Michael O'Sullivan / Alias : Washington Post
The threat that this mess of a movie might be followed by a sequel is enough to make anyone cry uncle.

Name : James Berardinelli / Alias : ReelViews
This is one of those rare instances when a sequel wouldn't just be warranted - it would be welcomed.

Name : Chris Klimek / Alias : NPR
What substance it has could be dissolved in a shot glass. But so what?

Name : Peter Howell / Alias : Toronto Star
This is like an Austin Powers movie directed by Wes Anderson, although Ritchie's personal style is very much in evidence.

Name : Richard Roeper / Alias : Chicago Sun-Times
The Man from U.N.C.L.E. plays like a lower key, vintage edition of a Mission: Impossible movie. It's a good movie with a great look.

Name : Soren Anderson / Alias : Seattle Times
The picture is quite clever and light on its feet.

Name : Todd McCarthy / Alias : Hollywood Reporter
It's not bad but not quite good enough either.

Name : Michael Phillips / Alias : Chicago Tribune
Composer Daniel Pemberton's evocations of early '60s "danger" music respect the period, which is more than can be said for Ritchie's hatchet-style of staging and editing.

Name : Nathalie Atkinson / Alias : Globe and Mail
Mesmerizing and clever, but more style than substance.

Name : Stephanie Zacharek / Alias : Village Voice
Though it's made with lots of modern tricks and technology, it's old-fashioned in the best sense, and not just because it's set in the Sixties.

Name : Calvin Wilson / Alias : St. Louis Post-Dispatch
This is a movie whose charm sneaks up on you, like a spy in the night.

Name : Rafer Guzman / Alias : Newsday
Not an update of the old TV show but a revival, with dazzling sets, period outfits and wonderfully implausible action. It's an Atomic Age blast.

Name : Wesley Morris / Alias : Grantland
Exactly no one was asking for this. So it's a surprise to discover that the bar for this movie is low enough to conga under.

Name : Bill Goodykoontz / Alias : Arizona Republic
It almost works. Actually, it does work, hitting the requisite number of hip notes. It just doesn't dazzle, and that's kind of a surprise.

Name : Kyle Smith / Alias : New York Post
Cavill's Solo, and the movie, are aggressively quippy, which is what happens when screenwriters set out to be funny but give up when they're halfway there.

Name : Ty Burr / Alias : Boston Globe
"Man" is a celebration of a time when secret agents dressed impeccably, bantered with style, and had exceptionally cool toys. That the movie is almost instantly forgettable is part of the pleasure.

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Senin, Januari 16, 2017

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A con artiist (Will Smith) takes on an inexperienced apprentice in this crime comedy from the filmmaking duo behind Crazy Stupid Love, Glenn Ficarra and John Requa. A veteran grifter takes a young, attractive woman under his wing, but things get complicated when they become romantically involved.

About Focus

Artist : Margot Robbie, Will Smith, Rodrigo Santoro, BD Wong, Gerald McRaney
As : Jess Barrett, Nicky, Liyuan, Ownes, McEwen
Title : Focus Trailer Full Movie Film
Release date : 2015-02-27
Movie Code : 2381941
Duration : 104
Category : Comedy, Crime, Drama

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Name : A.O. Scott / Alias : New York Times
Mostly, it is fun to watch Will Smith and Margot Robbie, and to marvel at whatever divine or evolutionary miracle concentrated so much charisma in the two of them.

Name : Andrew Lapin / Alias : NPR
The second half feels like Ficarra and Requa ran out of ideas and just hit restart.

Name : Rex Reed / Alias : New York Observer
It's beautifully photographed and entertaining, with charming performances by Will Smith and newcomer Margot Robbie that tease and tantalize. You won't be bored.

Name : Richard Brody / Alias : New Yorker
That sound you hear is the high-fives in the writers' room, and that, unfortunately, is where the filmmakers' focus remains.

Name : Moira MacDonald / Alias : Seattle Times
Smith and Robbie, both going through the motions, don't click at all, and Robbie in particular has nothing to play.

Name : Betsy Sharkey / Alias : Los Angeles Times
The Hollywood stakes for Smith are as high as they are for the con man he plays. As it stands, "Focus" just might be a game changer.

Name : Todd McCarthy / Alias : Hollywood Reporter
Unfortunately, since the major characters' salient character traits are insincerity, opaqueness and untruthfulness, it's hard to invest much interest in any of them.

Name : Barbara VanDenburgh / Alias : Arizona Republic
Although it brings nothing new to the con-artist fold, or even anything thrilling, "Focus" is a seductive enough rehash that benefits from the built-in pleasures of the trade.

Name : Richard Corliss / Alias : TIME Magazine
The mix of longtime star and minx on the rise is one tasty element in the success of a movie that approaches the modest goals and effortless allure of a 60-year-old Hitchcock.

Name : Peter Rainer / Alias : Christian Science Monitor
This is the kind of movie where we're not supposed to know at any time who is playing whom, but since the characterizations are glossy and paper-thin, it's difficult to get worked up about who gets fleeced.

Name : Stephen Whitty / Alias : Newark Star-Ledger
Sexy stars, pretty cities, nice music and some tricky action. If that's a con game, well - I'm happy to be had. And you will be, too.

Name : Michael Phillips / Alias : Chicago Tribune
Even in a lark about con artists working through their trust issues, we need more.

Name : Peter Debruge / Alias : Variety
While not quite the "art" it's billed to be, if the perfect con is about diverting one's focus, then this one keeps you distracted till the end.

Name : J. R. Jones / Alias : Chicago Reader
Smith wears it like a well-tailored suit, and the brisk, snappy dialogue is well delivered by an able cast.

Name : Liam Lacey / Alias : Globe and Mail
Drunk on its perfume-ad cinematography and doesn't know when to quit with its double-double cross plotting.

Name : Connie Ogle / Alias : Miami Herald
Focus is a shiny, stylish shell game of a film that, much like its protagonists, relies on breezy chatter, a good sense of humor and a lot of misdirection to succeed.

Name : Ann Hornaday / Alias : Washington Post
There's much to be said for a film that doesn't overreach, delivers on most of its promises and gets the audience out the door in just over an hour and a half.

Name : Mick LaSalle / Alias : San Francisco Chronicle
"Focus" is ridiculous in every detail. It's a movie with no truth, that teaches nothing and shows nothing, that has only its audacity to recommend it.

Name : Cary Darling / Alias : Fort Worth Star-Telegram/DFW.com
The story is ludicrous.Yet Focus, Will Smith's mea culpa to moviegoers after the post-apocalyptic tedium of After Earth two years ago, is more breezily enjoyable than it has a right to be.

Name : Richard Roeper / Alias : Chicago Sun-Times
Smith and Robbie are terrific together. At various points along the way, he's playing her, and then she's playing him, and then we're almost positive they've let their collective guard down and they're really in love . Or are they?

Name : James Rocchi / Alias : TheWrap
Like a perfect cocktail mixes the sour with the sweet and the bright with the boozy, "Focus" combines seamless, superbly-crafted filmmaking with the fizz and fun created by its leads.

Name : Christy Lemire / Alias : RogerEbert.com
Co-stars Will Smith and Margot Robbie remain consistently charismatic, even once the script for this heist caper collapses in a punishing pile of its own twists and double-crosses.

Name : Tom Huddleston / Alias : Time Out
A predictably unpredictable tale of conmen and women complete with the industry-mandated quantity of fast cars, short skirts, sharp suits, slippery billionaires and "Oh, it was that guy all along!" plot twists.

Name : Amy Nicholson / Alias : L.A. Weekly
If Grace Kelly had been raised by coyotes, she might have stalked the screen like Focus' Margot Robbie, a va-va-voom blonde with bite

Name : Peter Travers / Alias : Rolling Stone
The two stars are dazzling distractions. Robbie is a wow and then some. The Aussie actress shows a comic flair backed up with beauty and steel. Even when Focus fumbles, Robbie deals a winning hand.

Name : Lisa Kennedy / Alias : Denver Post
It's a shiny, diverting ride. (And right about now, that's OK.)

Name : Chris Nashawaty / Alias : Entertainment Weekly
What keeps the film humming along as smoothly as it does is the chemistry and charisma of its leads.

Name : Rafer Guzman / Alias : Newsday
Like a counterfeit handbag: It looks great but falls apart when you reach into it.

Name : Randy Myers / Alias : San Jose Mercury News
This kind of film needs a punchy right hook to follow up its clever, if outlandish, jab late in the game, and "Focus" doesn't deliver.

Name : Ignatiy Vishnevetsky / Alias : AV Club
Focus' problem isn't that its stars lack charm, but that it's squeezed into tight spaces between protracted explanations of setups, backstories, and twists-a poor example of the every-shot-must-convey-narrative-information school of filmmaking.

Name : Colin Covert / Alias : Minneapolis Star Tribune
Decent but unremarkable . the kind of movie you see with some pleasure but no dreams of sequels or remakes.

Name : Joe Neumaier / Alias : New York Daily News
In this lame caper, the biggest scam perpetrated is the one that makes audiences think they'll have a good time.

Name : Joe Morgenstern / Alias : Wall Street Journal
The film itself comes to feel like a con, thanks to a script that's too clever by two-thirds, and butterfingered in the ways of portraying love.

Name : Kyle Smith / Alias : New York Post
It's not that the movie keeps you guessing with its intricacy, it's more like it's making it up as it goes along.

Name : James Berardinelli / Alias : ReelViews
It does enough things right to earn a recommendation, but there are misfires aplenty for those who care to look for them.

Name : Claudia Puig / Alias : USA Today
At times . Focus resembles a commercial for a pricey brand of liquor, an elite hotel or a luxury car more than a story-driven movie.

Name : Adam Graham / Alias : Detroit News
Smith's natural charisma has been dulled by special effects bonanzas and/or a desire to play against type. In "Focus," he feels like himself again, and he reminds you why he became one of Hollywood's biggest stars in the first place.

Name : Wesley Morris / Alias : Grantland
[For Smith,] Focus isn't a full return to brilliance but a welcome stop, hopefully, on the way there.

Name : Steven Rea / Alias : Philadelphia Inquirer
Even if you're willing to forgive its sinkhole plotholes and farthest-fetched conceits, the film - from cowriters/co-directors Glenn Ficarra and John Requa - ultimately makes no sense.

Name : Joe Williams / Alias : St. Louis Post-Dispatch
It's yet another reminder that if it's not called "The Sting," you shouldn't get too comfortable with a con-game movie.

Name : Ty Burr / Alias : Boston Globe
You come out feeling you've been had by well-intentioned crooks who aren't ready for the big show.

Name : Peter Howell / Alias : Toronto Star
We can't say we weren't warned. Will Smith has been telling us not to trust him the entire movie.

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